
ABOUT KALIYUGA ARTS
Rendering Oddities with Grace & Insight since 1986

"This is Kaliyuga, buddy, the Iron
Age. Anybody over sixteen without an ulcer's a goddam spy."
J.D. Salinger, Zooey
These are terrible times. The Hindus call this Kaliyuga, the last of four
ages during which the world slowly devolves into intolerance, entropy and, finally, utter annihilation (see the note on Hindu time below). But within
the madness, islands of sanity can be created. And we believe that the Theatre in
particular is one of the things helping us to hold back the dark -- that it is,
indeed, one of the few remaining places on Earth where people still
gather to celebrate, affirm, and uphold everything that makes us human.

OUR COMPANY
Our production company, Kaliyuga Arts, was originally founded in Los Angeles,
California in 1986. From its inception, it has been dedicated to the
presentation of off-beat, challenging work, and has established an
ever-expanding reputation for artistic excellence with a wide range of material.
Of the twenty-three plays we have presented thus far, eight have been world premieres,
two U.S. premieres, and four (insofar as we know -- there may have been others)
area premieres. Based in San Francisco from 1990 thru 2004 and currently located
in New York City, Kaliyuga Arts continues to present some of the most exciting,
risk-taking and innovative theatre available to audiences anywhere.
The company itself is a tiny, two-man operation. We're both gay men (partners
in every sense of the word) and our play selection is often colored by that
fact. This doesn't mean we confine ourselves with regard to the subject matter.
However, since we can afford to produce only sporadically, it's important to us
that our work be meaningful -- either literarily, socially or in the depth and
complexity of the characters it presents. Our work is very actor-driven -- we
love stuff that serious artists (and it's been our privilege to work with many)
can really sink their teeth into. And we love to take on impossible challenges
-- imaginative use of limited means characterizes our work in general. What we
look for above all is theatre that's going to stimulate artists and audiences
alike, shake 'em up a bit, take them places they've never been before.
To learn more about us and the work that we do, please take a tour of our
site by clicking on the links at the top of this page.

Steven and John on the set of
King of the Crystal Palace, 1987
A Note on Hindu Time
"Four are the ages in the land of Bharata -- the krita, the treta, the dwapara, and the kali.
The krita yuga lasts 4800 divine years, the treta 3600, the dwapara 2400, and
the kali 1200; and then another krita yuga begins.
The krita or satya yuga (the age of gold) is the age of purity; it is sinless.
Dharma, righteousness, is perfect and walks on four feet in the krita. But in
the treta yuga (the age of silver), adharma, evil, enters the world and the very
fabric of time begins to decay. Then comes the dwapara yuga (the age of bronze)
in which the dissolution continues. Finally, the kali
yuga, the fourth age (the age of iron), is
almost entirely corrupt, with dharma barely surviving, hobbling on one foot.
A chaturyuga, a cycle of four ages, is twelve thousand divine years, or 365
times 12,000 human years long."
adapted from The Ramayana, a modern retelling of
the great Indian epic by Ramesh Menon

Steven and John, summer of 2007

JOHN SOWLE (Founder and Co-Artistic
Director)
| John has a Ph.D. in Dramatic Art from the
University of California at Berkeley and received a Fulbright
Fellowship to study dance-theatre in South India. He also has an
S.B. degree in Mathematics from the Massachusetts Institute of
Technology, where he performed in and directed productions for
the MIT Dramashop and where, in his senior year, he directed
Tech Show, the annual student-written musical. For five years,
John was chairperson of the Speech and Drama Department at
Dominican College in San Rafael, California where he directed
notable productions of The Tempest, Blood Wedding,
Dido and Aeneas, The Rake's Progress,
Prometheus Bound and many other plays, operas and musicals. He served as
set designer for the Quantum Leap production of Dostoyevsky's
Crime and Punishment Off-Broadway at the Harold Clurman
Theatre. He has also directed and/or designed productions for
J.B. Enterprises (the world premieres of Crime and
Variations and Mary In The Hydrangea Bush),
Contemporary Opera Marin (U.S. premieres of Judith Weir's
Heaven Ablaze In His Breast
and H.K. Gruber's Gomorra), the UC Berkeley Drama and
Music Departments, EXIT Theatre (1999 Upstage/Downstage Award
for his Scenic Design for Problem Child), Signal Theatre
Company (2000 Upstage/Downstage Award for his Scenic Design for
The Years), Teatro Shalom, The Bare Stage, the Jean Shelton
Acting Studio, Theatre Metamorphosis, One-Act Theatre Company,
the People's Theatre Coalition of San Francisco, the Berkeley
Jewish Theatre and Theatre Rhinoceros. Additionally, John has
directed and designed sets for Samuel Beckett's radio play
All That Fall, Robert Montgomery's Subject to Fits,
Gertrude Stein's Do Let Us Go Away. A Play (as well as
appearing -- in a non-singing role -- in Three Sisters Who
Are Not Sisters) and the world premiere of Dan Carbone's
Salvador Dali Talks to the Animals for EXIT Theatre's
Absurdist Series. In 1986, John co-founded Kaliyuga Arts with
Steven Patterson and received three Drama-Logue Awards for his
directing and design work on their Los Angeles productions of
In Circles, King of the Crystal Palace, and The
Public. Once the company relocated to San Francisco in 1990, he directed and designed their productions of The
Client and The Secret of the Old Queen (at the New
Conservatory Theatre),
Beauty (1994 San Francisco Fringe Festival and subsequent
tours), Poor Super Man (SOMAR Cultural Center),
L'Histoire de Babar
(1997 SF Fringe Festival), PRIDE (EXIT Stage Left),
The Pilgrim Project (2001 SF Fringe Festival), Up From
The Ground (the first half of a double-bill called
Hysterics at the Phoenix Theatre), and An Impersonation
of Angels or The Enigma of Desire (EXIT on Taylor), designed
their production of Michael Ondaatje's The Collected Works
of Billy the Kid
(The Marsh), and created and performed a one-person show
called Horripilation! Inspired by the Natya Shastra,
an ancient encyclopedia of theatrical practices, and by his
experiences living and studying in India in the early 1970's,
Horripilation! was a tremendous hit at the 1995 San Francisco Fringe
Festival (where it was voted "Best of the Fringe") and
was
enthusiastically received in a brace of subsequent special
engagements at the Open Secret Bookstore & Cafe in San Rafael.
And he has recently directed and designed Kaliyuga Arts' first
productions in Manhattan: an immensely successful two-week
engagement of Beckett's All That Fall and the New York
premiere of Dan Carbone's Kingdom of Not, both at the historic
Cherry Lane Theatre in Greenwich Village. |
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STEVEN PATTERSON (Founder and
Co-Artistic Director)
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Steven's career has included several appearances Off- and
Off-Off-Broadway as well as with such theaters as the Oregon, Lake Tahoe,
Sierra, Orlando, Grove and Utah Shakespeare Festivals, South Coast Repertory, Theatre
Off Park, American Musical Theatre of San Jose, TheatreWorks, Foothill
Theatre Company, the Cherry Lane Studio, Upon These
Boards, Powerhouse Theatre Company, Contemporary Opera Marin, Chenango River
Theatre, 42nd Street
Moon, Pacific Alliance Stage Company, Signal Theatre Company, American
Citizens' Theatre, Theatre Rhinoceros, Calaveras Repertory Theatre, Women In
Time, PASSAJJ Productions Ltd, J.B. Enterprises, Park Square Theatre and the Lexington Conservatory
Theatre. Among the literally hundreds of roles he has portrayed, some of his
favorites have included Prospero in
The Tempest, Edmund Tyrone in Long Day's Journey into Night,
Michael Williams in Henry V, Ricky in David Rabe's
Sticks and Bones, Giovanni in 'Tis Pity She's a Whore, Rob in
C.D. Arnold's King of the Crystal Palace, Zach in
A Chorus Line, Gonzalo in Federico Garcia Lorca's The Public,
Jean in Beauty, David in Brad Fraser's Poor Super Man, Neil in
Myles Weber's PRIDE, and Austin Wiggin in Joy Gregory and Gunnar
Madsen's musical The Shaggs: Philosophy of the World. On film, he has
been featured in Bill Rose's documentary
The Loss of Nameless Things and as Bruce in Joseph Graham's
Vanilla. As a director, his credits have included Tennessee Williams'
This Property is Condemned, George M. Cohan's The Tavern, Philip
Barry's Holiday, Robert X. Rodriguez's opera Tango, and
Lanford Wilson's The Rimers of Eldritch. In 1986, he co-founded
Kaliyuga Arts with his partner, John Sowle, and has since appeared as an
actor in their productions of
In Circles, King of the Crystal Palace, Soul Survivor,
The Public, Poor Super Man,
L'Histoire de Babar le Petit Elephant,
All That Fall (both in SF and NY), Do Let Us Go Away. A Play,
PRIDE, The Secret of the Old Queen, The Pilgrim Project,
and An Impersonation of Angels or The Enigma of Desire, served as
dramaturge and sound designer for C.D. Arnold's
The Client, dramaturge and costume designer on Robert Montgomery's
Subject to Fits, directed Sowle's Horripilation! for the 1995 San
Francisco Fringe Festival, Ned Rorem's opera (on a text by Gertrude Stein)
Three Sisters Who Are Not Sisters for EXIT Theatre's 1998 Absurdist
Season (for which he also designed sets and costumes), and Kaliyuga Arts'
productions of Michael Ondaatje's The Collected Works of Billy the Kid
Upstairs @ The Marsh and X: the Rise & Fall of an Asylum Star (half
of a double-bill entitled
Hysterics) at the Phoenix Theatre, and served as Kaliyuga Arts' Literary
Manager. He has also created, performed and
toured internationally with a one-man show inspired by the life and works of
Jean Genet called Beauty. Steven is a member of Actors' Equity
Association, the union for professional actors and stage managers in the
United States. |
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